Environmentalism in Watership Down by Richard Adams Essay -- essays re

The small group of rabbits that left their original warren, Sandleford, to find a new home often uses their little spare time to listen to stories generally told by Dandelion. These stories are often about the Thousand Enemies and how they are a threat to the rabbits, especially El-ahrairah. Humans are presented as one of the â€Å"Thousand.† The author of the book, Richard Adams, displays man in a negative way because of this. Man is portrayed as violent, nonsensical, and abusive to the natural way of life. In the book, Watership Down, Richard Adams portrays the life and style of man in a negative way. In both their old warren and on their journey, the group of rabbits encounters urban development and the city life which relentlessly interfere with their plans. The inciting point is the cause of sub-division development ("Literature in Brief Information about Watership Down.") and humans post a notice in the field where the rabbits live that says: â€Å"THIS IDEALLY SITUATED ESTATE, COMPRISING SIX ACRES OF EXCELLENT BUILDING LAND, IS TO BE DEVELOPED WITH HIGH CLASS MODERN RESIDENCES BY SUTCH AND MARTIN, LIMITED, OR NEWBURY, BERKS† (Adams 8). This residential construction ignites Fiver’s â€Å"visions† which causes the group to leave Sandleford Warren. In a later chapter, Holly and Bluebell seek out Hazel and his group and voice their willingness to join. At the same time, Holly relays the story of what happened in their old warren, Sandleford. Men with the white sticks in their mouths and made the air turn bad to kill the rabbits. Soon after, bulldozers flattened the area, with no regard whatsoever for the well-being of the rabbits. Richard Adams could be seen as taking use of development to get his rabbits to a better place, but such vio... ... them technically part of the man. Because of their connection to man, Richard Adams exposes animals like cats and dogs, which are man’s possessions, in a distasteful way. All in all, Richard Adams has a very negative view when it comes to man: human development and their creatures. His writing really gets into the mind of a rabbit, and through these rabbits he celebrates the natural, undisturbed world in which the rabbits live ("Literature in Brief Information about Watership Down."). Whether the rabbits simply hear about humans or even encounter them, they are generally displayed in a bad way. There may be a few times when there is a caring human, or a courteous animal, but that occurs very rarely. Richard Adams, in his book Watership Down, celebrates the natural created world before humans â€Å"destroyed† it. Websites used: www.answers.com/topic/watership-down-2

All My Sons by Arthur Miller Essay

Explain how Arthur Miller makes this moment in his play All My Sons so dramatic. Refer to Extract 6 for passage In his play All My Sons, Arthur Miller makes the moment of George Deever’s arrival highly dramatic through the sense that a crisis looms for the Kellers and is then narrowly avoided. Hostility is reduced to calm and jovial equanimity through Kate Keller’s maternal dominance and controlling nature, and this in turn ensures that the threat posed by George is negated. At first, the interactions between Chris and George are adversarial as Chris repudiates the truth George asserts. Kate Keller resists Chris too, though in a very different way, which is ultimately successful in nullifying George and the threat he represents to the false reality of Joe Keller’s innocence. The initial interactions in this passage create a hostile atmosphere that arises from the clash between George Deever and Chris Keller. George has arrived to insist that Ann does not marry Chris because Joe’s guilt, or, more particularly, Joe’s dishonesty about his guilt, resulted in their father’s imprisonment and the destruction of their family. Chris insists that George â€Å"won’t say anything now.† He intends to marry Ann and, more importantly, has systematically suppressed any doubts about his father’s innocence. Miller has George speak past him to Ann, â€Å"you’re coming with me,† he says, and again, â€Å"you’re coming with me.† This repetition in his dialogue conveys his tenacity and suggests that he’s unlikely to desist. His challenge to Chris is part of a larger challenge to the false reality in which the Keller’s have been living, a reality in which Joe is innocent. Kate has protected thi s reality for years and proceeds to do so again now. When Kate Keller enters she immediately adopts a tone of maternal care and concern toward George. â€Å"Rais[ing] both hands† she â€Å"comes†¦ toward him† saying â€Å"Georgie, Georgie.† This diminutive calls into the present George’s past, his childhood and the happy associations he would have attached to Kate Keller during that time. Miller’s stage directions describe how she â€Å"cups his face,† a gesture suggestive of the affection and intimacy between a mother and young son. She remarks that he has become â€Å"grey† and that â€Å"he looks like a ghost.† This dialogue paints a vivid image of George as a gaunt and almost lifeless figure deserving of pity and perhaps plays on any feelings of self-pity he might have. She declares that she will â€Å"make [him] a sandwich,† and insists that he is â€Å"going to sit here and drink some juice.† Her theatrical and almost hyperbolic performance is one that seeks to emphasise her concern for George’s well-being and the motherly desire to nourish him and see him in good health. George is not actually her son, instead he belongs to the now fractured and dysfunctional Deever family. There’s a real sense that Kate is playing on this. She works to establish the nature of her interaction with George as obviously maternal, and thereby implicitly encourages him to adopt the corresponding role of dependant and grateful son. Moreover, Kate works to displace both George’s mother and Ann as the female figure to whom George owes the most loyalty and thereby establishes her own dominance and control. â€Å"What’s the matter with your mother,† she asks, â€Å"why don’t she feed you?† This question undermines George’s mother as a capable maternal provider. Next, Miller has her takes aim at Ann, admonishing her for saying that George was â€Å"fine† since he so demonstrably is not. Just as George’s mother supposedly fails to nurture him, Kate points out a similar failing in Ann when she notices Ann hasn’t given George grape juice. Ann says â€Å"defensively† that she â€Å"offered it to him.† The stage direction that describes her tone as â€Å"defensive† makes it clear that she feels as though she is under attack. And indeed she is. Kate’s reply is said â€Å"scoffingly,† showing that she is ridiculing Ann for her apparently inept attempts to adequately care for her brother. By undermining both George’s mother and sister, Kate implicitly offers herself as the female figure on whom George can really depend. Ultimately, Kate succeeds and Chris defers to her utterly. Hostility dissolves into amiability and affection. Miller makes it clear from the beginning that George â€Å"always liked† Kate. This stage direction reveals a vulnerability he has in regard to her. At first he is gently dismissive of her, saying â€Å"I know† and â€Å"I feel all right.† This dialogue suggests he isn’t buying into her performance, or at least not at first. Eventually, however, he declares â€Å"Kate, I feel hungry already.† This line signals a crucial shift. It is so obviously said with affection and good humour. Clearly, the thought of doing anything to hurt Kate could not be further from his mind. Moreover, it indicates that he has adopted the role into which she has been cajoling him; that is, the dependent and acquiescent son. Throughout this passage Kate is highly manipulative. She is motivated by an instinct to protect the false reality she and Joe perpetuate and on which she depends if she is to see her husband as anything but a monster who killed their son, Larry. Her success hinges on quelling George and the uncertainty of this is what creates the angst-ridden drama at this moment in the play. Ultimately, of course, her success is only momentary.

John Constable - 3711 Words

John Constable: Emotion and Influence Anonymous Art Appreciation Professor Giselle Hasel Outline I. Introduction a. Thesis statement i. John Constable was one of the artists who brought originality and emotion to art, and did so by painting what he loved, and not conforming to the standard norms. II. Body b. John Constable’s Life c. Art at the time of John Constable d. What makes a John Constable Painting? e. Constable’s Works of Art ii. Stonehenge iii. Dedham Lock and Mill iv. The Haywain v. Salisbury Cathedral from the Meadows vi. Boat Building near Flatford Mill vii. Flatford Mill on the Stour viii.†¦show more content†¦Prior to Neoclassicism allegory and metaphor were used to show what the artist was trying to portray, but in the time of the French Revolution only truth and perfection could be accepted. This meant that perfection was sought after. Often the works of neoclassic painters portray stories of Roman or Greek heroes, and are very shallow. Shallow in this context has nothing to do with meaning, but with depth of scene. In Neoclassicism the action takes place close-up where the viewer seems engaged in the story himself or herself, and the background either quickly grows dark or is cut short by some other obstacle. While not all neoclassic works adhere strictly to these rules, the majority of paintings in this period had this basis. Romanticism emerged from the neoclassic style in the late eighteenth century, and is the style in which Constable falls. Janson’s History of Art states it best, â€Å"Instead of Neoclassicism’s logic and its desire to control the forces of nature through science, romanticism values emotion and intuition and believes in the supremacy of raw, unrestricted nature.† Where Neoclassicism held the artist from revealing emotion, Romanticism allowed freedom. Romantic painters could bring out their brush strokes, where Neoclassic were taught to hide strokes. When a Neoclassic artist would fade the scene quickly, the Romantic artist would place depth showing far into the distant mountains, unending seas, and far horizons InShow MoreRelatedAnalysis Of The Hay Wain By John Constable751 Words   |  4 PagesThe piece by John Constable, caught my attention with its complexity and darkness. The artwork appears to have been painted with oil due to the ability to capture the colors, although they are not rich. When painting with oil, the artist can show off interesting brush strokes and create beautiful softness. The horse carriage in the river brought a sense of wonder upon viewing the piece. What happened, why are they in the river? 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